What a Rush!!!

Way back in 1984 I received something totally awesome in the mailbox. It was from my drumming hero (back then).......Neil Peart. Part of what I wrote him will become self evident as you peruse this postcard below. Neil had a tremendous influence on my playing back then. I probably played along with Rush's "Moving Pictures" several hundred times in the basement (bless my Mother's patient heart). Part of my motivation for contacting Neil back then was to try desperately to convince him to do some kind (any) kind of drum clinic at brother Bob Gatzen's music shop near Hartford, Connecticut. I hand wrote and mailed a two pager which apparently Neil enjoyed and in return I very unexpectedly received this:

I'd love to personally thank Neil for all of those fond memories in my basement (bucket list item #2112). Due to his influence, in part, I have achieved a level of percussive proficiency that allows me to play in various venues and assorted opportunities while having a lot of fun. With a life long career in architecture I've never had to play for monetary gain yet I still get to play at least twice a week. I guess I've enjoyed the best of both worlds. Best wishes, Neil!

Jim Richardson

PS: Should anyone wish to contact me regarding this postcard or to correspond with me personally, my email address remains: newnormaljames@gmail.com (No spam or off-topic inquires please)

Less is actually more!

^Less.......or........more>

As far as professional drum kit set-ups go, I believe this is possibly the extreme. Slim Jim Phantom

is a true minimalist while Terry Bozzio expresses diversity and choice. The last time I went to a Bozzio drum clinic I should have asked him how long it takes him to utililize every piece of equipment during the course of any given performance!

For the most part, a drummer's percussive existence revolves around serving snare, bass drum and hi-hat. Adding tom toms and cymbals crashes only serve to further "color" his or her performace. Knowing this should help us maintain focus on what's really important: Keeping time and consistent rhythm. Fills should be placed tastefully and in moderation. This will increase the anticipation of audience members. Neil Peart of Rush orders his fills in precise order and are almost never repeated!

For the non or even semi-professional drummer, I contend that "less" should "trump" more in respect to drumming style in the early stages of ones career. The reason is simple really. For until one masters basic rudements and rock steady rhythm on the drum set, fancy drum fills or soloing will not land the the kind of gigs that will propel your career forward. As in anything in life, prepare the foundation before you start building the walls.

Most importantly have fun, but do endevour to make every beat and stroke find a logical, complimentary place within the musical "fabric". I guarantee you won't regret this and your audience will love it!

Jim Richardson